The Patination of a Holy Wall
Concrete dipped crochet, image transfer  
124 × 66 cm
2026




























This process connects textile image-making with photography. Many textile practices construct images through grids and repetition; photography does so through pixels. Translating a photograph into crochet makes reproduction physical. Photographic transfer applied to the crocheted structure then causes the two systems to overlap and fragment one another.

By interweaving photographic fragments into the work, memory is treated as materially constructed and partially obscured. This work extends this method to architectural deterioration. A water-damaged cathedral wall is translated into crochet and concrete as exposed plaster shifts architecture toward abstraction. Deterioration becomes a threshold between concealment and exposure, preservation and transformation.

Lost Image or L’Enfance
Plaster dipped crochet, image transfer  
28 × 22 cm 
2026



 


H2O
Concrete 
35 × 25 cm 
2025 

water images come easy 
Concrete
35 × 25 cm 
2025

i want my ribcage to forever fit inside my princess dress
Concrete
35 × 25 cm 
2025



 


wires got crossed within smooth pebbles
Photo transfer on concrete 
50 × 40 cm 
2024 

Found 
Oil, phototransfer, sand, and concrete
52 × 36 cm 
2025

under the stairs
Oil, phototransfer, nail polish, and concrete
31 × 33 cm 
2025

Sunk into Foundation
Oil and concrete
49 × 38.5 cm
2025 

 




Re-Collections
Installation view
Oil, gesso, graphite, ceramic, photo transfer, and concrete
30 × 20 cm each
2024
  






Concrete Book of Re-Collections
Scans of Re-Collections, concrete
35 × 35 cm 
2024 




Home Skin I (Wallpaper)
Oil, gesso, and concrete
20 × 12 cm

Home Skin II

Oil, ceramic, and concrete
50 × 40 cm
2024 




Imbuedprints
Watercolor on cotton
50 × 44.5 cm each 
2023
©2026   Ryder LeVieux